Tuesday, June 29, 2021

Shadowman #3 Spotlight: Penciling & Inking

Shadowman #3 Pre-Order Cover by Robbi Rodriquez

 

In Shadowman #3, I really appreciate how penciler and inker Jon Davis-Hunt's love of place (or setting) roots me immediately in the story. Like his depiction of New Orleans in Shadowman #1, this view of Barcelona feels real and lived in.



 

The way he immediately communicates the hurt Shadowman is suffering helps me care for Jack Boniface: the man behind the mask.

 


The architectural splendor of this entryway reminds me just how old these Spanish streets must be. 

The darkened interior, with the white fog rising from the ground, suggests a crypt or tomb.

 

 

With the way these demons or damned spirits are leaping out at Shadowman, it'd be easy to not notice the carvings on the lintel. I can't quite make out what the shapes above the door represent--skulls, souls in torment--but they reinforce the suggestion of a tomb or crypt.



 I also appreciate how photorealistic the people in the alley look. 


 

I haven't seen such an evocative series of panels since Secret Weapons and the first four issues of Livewire

I wonder. Is Jon Davis-Hunt related to Raul Allen and Patricia Martin?

 


I generally dislike full page panels and double-page spreads. No matter how well done, they often feel like they cheat the reader of a deeper story. 

The way Jon Davis-Hunt suggests a rich setting on this full page, knowing that much of it will be lost by inset panels that move the story along, seems like generosity of spirit. 

Here's a slice of that incredibly detailed drawing.



In Shadowman #3, Jon Davis-Hunt make this horror story more real to me. I almost want to visit Barcelona now. 

If only he hadn't made Spain look so scary!

Dragon Dave

Sunday, June 27, 2021

A Valiant Care Package

 


My wife and I have been having a bit of a hard time lately, so this care package from Valiant Entertainment really lifted our spirits.



It came with a cute card, and a message of encouragement.



It also reminded us of a program we've been streaming lately on Amazon Prime titled "Chi's Sweet Adventure." Like the picture on the card, it's fun and cute.



As Faith is one of our favorite characters, we will treasure this Gold Faith #1.



Even better, it was signed by one of the creators. 

I'm guessing it was signed by writer Jody Houser. 

(While she's taking a break from penning Faith, we're enjoying the Doctor Who adventures Jody writes for Titan Comics).



The good folks at Valiant know I like to color, so this was just perfect.

I didn't know this even existed!



I look forward to get stuck in coloring these images of Faith. 

 

 

Maybe I'll start with this panel. It's an iconic Faith image. It also reminds me of the cover for her recent Young Adult novels by writer Julie Murphy.



I don't know if Valiant Entertainment is currently producing more of these Faith #1: Coloring Book Editions. If you want one, I suggest you inquire at your local comic shop. That's always the best place to start.

Many thanks to all the great folks at Valiant for this unexpected and most welcome surprise.

Dragon Dave

Saturday, June 26, 2021

Home On The Range

 

Need help around the old homestead?

Rely on Bloodshot Home Services for all your household needs

Reasonable rates 

Will work with your schedule

Discounts for butchers and hunters with excess meat

 

Offer Good Thru February 2022

(Or when my new comic adventures begin!)


Friday, June 25, 2021

Shadowman #3 Spotlight: Coloring

 

Shadowman #3 Horror Cover by Erica Henderson


As Shadowman #3 opens, we notice a subtle change on the inside front cover. Whereas last time, the crystal ball Baron Samedi held was a cloudy white, this time it is gold. Swirls and points of light give it a cosmic look. 

How does this change relate to the Baron's role as the King of the Dead? Does it mean he's gaining more power over our protector Jack Boniface, aka Shadowman?

Or could it have something to do with story developments in this issue?



As our story opens, we see Shadowman stumbling through the backstreets of Barcelona, Spain. He looks beaten, wounded. He's alone.

The colors of the Spanish houses and shops are detectable, yet muted. The only light at ground level comes from his glowing scythe.



Yet when we see see a close up, he is surrounded by green, the same color as the sky.



Even the people, seemingly cast in shadow, are green. 

Say, doesn't green represent vitality and life?



Whoa! The creatures who attack Jack here look as if they're on fire. Are they screaming because they want to unsettle Jack? Are they angry at him? Or are they merely in pain, and screaming to release their agony?


 

One thing's for sure. When they attack and envelop Shadowman in their fury, they have the power to hurt him. To wound him.


 

I've never seen the Deadside as symbolic of the Christian concept of Hell. Yet when these creatures tear at Jack, what are you reminded of?

Do your thoughts turn to the judgment that awaits evildoers, and the Lake of Fire in which they shall be tormented for all eternity?

 


Your coloring in Shadowman #3 gives us much food for thought, Jordie Bellaire. And perhaps also, for the soul...

Dragon Dave

Thursday, June 24, 2021

Shadowman #3 Spotlight: Lettering

 

Shadowman #3 Cover B by Tyler Kirkham


In Shadowman #3, Jack Boniface stumbles through darkened alleys of Barcelona, Spain. Someone pursues him. Someone Jack fears.


 

When Shadowman talks, usually a black dialogue balloon wafts gently above him. Now, it's like Shadowman spits it out. The utterance seems more a grunt than a sigh.


 

The loudness--and the intensity--of his attacker's screams threaten to paralyze.



 

A spiky dialogue balloon shows how hard Jack works to fight back the malevolent spirits.


 

A larger spiky dialogue balloon--hardly a balloon, so composed of shards--reveal his pain and despair at the loss of his scythe.



 

The attacker's screams, and Shadowman's grunts and groans, tear at our hearts.



 

In Shadowman #3, Baron Samedi introduces another Human friend. Another man who talks with the King of the Loa. Yet his dialogue balloons are rounded and white, and the font seems normal.



Baron Samedi's dialogue balloons are also white. But then, Samedi's balloons are pudgy or cloudy. This, and an elaborate font, remind us of where the King of the Loa belongs.

Like another musician, Jack Boniface stands alone. A man in black.



Wait! Someone who speaks with a dialogue balloon even more pudgy or cloudy than the Baron's? And why is it yellow? What does that signify?

A sickly nature? An ability to infect others?



Whatever the answer, when the normally unruffled Baron Samedi yells--and in giant red font--you know he's not just being a drama queen.

I'd do what he says, Jack.



In Shadowman #3, letterer Clayton Cowles shows us the dangers that threaten us, should our protector Shadowman should be struck down.

Dragon Dave

Wednesday, June 23, 2021

Shadowman #3 Preview Pages

Shadowman #3 Cover A by Jon Davis-Hunt

 

Shadowman #3 arrives in your local comic shop today. After his blood-soaked bash in New Orleans, and his duel with the dead in an Arizona ghost town, we find Jack Boniface stumbling through the back alleys of Barcelona. What has brought him to this isolated and weak condition?

Do you dare peel back the Veil, and peer into this issue?

Here's a sneak peek at the first few pages of his eerie European tour. 

 





Whoa! Was that merely scary, or are you frozen by fear?  

Jack's not supposed to feel fear. Why isn't his loa protecting him from that devastating emotion? If his loa has been weakened, or ripped from him, is Shadowman in danger of being injured or killed?

No!

Pick up Shadowman #3 at your local comic shop today and learn the answers! That is, if you dare...

Dragon Dave


Tuesday, June 22, 2021

Ninjak #1 Prisma Glass Variant Cover

 

Artwork by Javier Pulido; treatment design by Travis Escarfullery


Back in May, when putting together my post "Ninjak #1: All the Covers & Why You Need Them," I queried Gregg Katzman at Valiant Entertainment about the 1:100 variant cover. Finally, the truth can be revealed!

 

FIRST LOOK: NINJAK #1 1:100 PRISMA GLASS COVER 

Valiant Entertainment presents a first look at the NINJAK #1 Prisma Glass Variant Cover, featuring artwork by acclaimed storyteller Javier Pulido.

 


 

Designed by Travis Escarfullery, Valiant Entertainment's Director of Design and Production, this special variant cover is a screen print over a pane of acrylic. Seven different inks bring the cover to life, including three fluorescent dayglo inks which glow under a blacklight. 

 



The NINJAK #1 Prisma Glass Variant Cover is a 1:100 cover which means comic book shops will receive one with every qualifying order of 100 copies of NINJAK #1. Contact your local comic shop for more information on how to add this limited cover to your collection.

 

 


Monday, June 21, 2021

Ninjak #1 Review: The Prisoner in Istanbul

Ninjak #1 Cover B by Caspar Wijngaard

 

If you're new to Ninjak, he's a British aristocrat who worked as a spy for MI-6. Unlike James Bond, he also took on freelance assignments. These allowed him to sustain a life of wealth and privilege. At least until he broke with MI-6.

Now his former handler, Neville Alcott, meets someone for a pint and a chat.



 

I get the feeling that Neville was summoned to this meeting, and that Mr. Darbin is higher-up in MI-6 than Neville.



 

Mr. Darbin's comment suggests that Neville didn't know about the program people within MI-6 ran to control Colin King, aka Ninjak. But in an agency that is all about secrets, who knows all that Neville Alcott knows?



 

In any case, it was Colin's discovery of the program that caused Ninjak to declare himself a free agent (in addition to not handing in Livewire to the authorities). 

There was always the question of how much affection Neville had for Colin. Much like James Bond and M, their relationship should be all business. But when you work closely with people, and come to trust and rely on them, keeping your distance from them is...complicated.

In any case, while Colin may have given up on MI-6, Neville is tracking Colin. 

 


Regardless of Neville's feelings about Colin, Mr. Darbin is clearly more detached. Remember the classic 1960s British TV series The Prisoner, filmed in the height of the cold war? In Mr. Darbin's view, Colin is merely an asset. He will always be owned by MI-6.

He cannot resign. 

He can never leave.


 

Secrets filter through this story. In addition to the secrets which Mr. Darbin and Neville Alcott know, and the secrets that Colin King can not be allowed to know and remain outside MI-6 control, there is the vast information web we call the internet. There is the 24 hour news cycle. 

As we live in the Information Age, people will always seek power by discovering secrets, and dispensing them in a way that will benefit them most.

Of course, it helps if you have superpowers. When a man and his sister walk into the pub, we discover that, like Kubo-sama in The Visitor, the woman has mental powers. Unlike Kubo-sama, she can read minds.

 


 

Myna, the Songbird agent Neville refers to, is watching Ninjak in Istanbul, Turkey. As she watches him through her binoculars, she also surveys the group of men Colin is approaching.

 


 

Constantinople once numbered among the greatest cities on Earth. Now renamed Istanbul, it is largest city in Turkey. 

 


 

While Ankara is the capital city of modern day Turkey, Istanbul also hosts a large number of embassies. Apparently, the crown prince of an Arabic-speaking country resides at one of them.  

As with MI-6, the importance of keeping secrets is important to all of them too.



 

Myna seems to have chosen her viewpoint well. Through her binoculars, she sees the men surrounding the secret-thief who wishes to leave the embassy. 



 

The man she has been following, Colin King, is not wearing his traditional Ninja garb. Much like the Ninjas of old, he has dressed to blend in at the enemy camp he desired to infiltrate.

 

 

As in the James Bond films, we enjoy the occasional humorous exchange. It lightens the mood, and helps us prepare for the violence we know is coming.

The use of the saw as a weapon seems geared to send a message to the victim's employers. The villains no doubt hope that the organization that profited from dispensing the victim's secrets will be cowed by their response. Of course, it also reminds James Bond fans of how a rotary saw was used in the film Octopussy.

Apparently, MI-6 has been highly successful in tracking down all of Colin King's hidden assets, and cutting him off from his personal sources of funds. Why else would a freelance operative who normally works for wealthy clients need a free language app?


 

This aspect of his preparation, or should I say lack-of-preparation, suggests that this mission may have arisen suddenly.

The retro art style, perhaps geared toward British readers of The Beano, or those who grew up enjoying the adventures of Tintin, softens the action. Unlike Valiant's series Roku, which seemed geared to tween girls but with a John Wick level of violence, the limited color palette and simpler drawing style of new Ninjak series seems much less graphic.




 

It also reminds me of children's books from the fifties and sixties. Publishers sometimes used a two-color process for printing illustrations, such as black and one other color.

Longtime comic readers might also remember that when freelance investigator Ms. Tree moved from Eclipse Comics to Aardvark Vanaheim in the 1980s, the book adopted a similar color style.

 


 

Myna, the agent watching Ninjak, may be young and inexperienced. Still, she notices how Ninjak has gone more bare-basics recently. Is this because he's running low on his own resources?

Or has living life on the run hardened him, and made him a better Ninja? Perhaps, as in the recent James Bond films, Colin has realized that he doesn't need to rely on so many high tech gadgets to get the job down anymore. So, instead of employing a horde of flying drones bristling with weapons, he opted for a more lean-and-mean approach for his current mission.

 

 

I must admit: I'm worried about Myna. While Colin King has long waded in the murky waters of the espionage world, she seems less prepared. She will need to grow into her abilities quickly. Once the man and his sister decide to dispense the secrets they stole from Mr. Darbin and Neville Alcott, she will lose the anonymity that once shielded her.



 

Hopefully, I've given you a sense of what this new Ninjak series is about, without dispensing too many secrets that will spoil your enjoyment of Ninjak #1. As with Myna, I wish to thank Valiant Entertainment for their trust in me, as well as giving me the chance to give you this advance review.

 


 

Despite employing a simpler art style, this new Ninjak series offers up an intriguing story. Jeff Parker and Javier Pulido have loaded a lot of plot into twenty pages. Still, I cannot end this review without a warning. 

The last page is a game-changer. Whether or not it blows your mind, it will scatter your expectations to the wind. So be forewarned. Strap on that armor, and weapon up. 

Whatever you do, prepare for our secret-hoarding, secret-stealing, secret-imprisoning, and secret-killing world by reading Ninjak #1. 

Dragon Dave