Showing posts with label Annie Wu. Show all posts
Showing posts with label Annie Wu. Show all posts

Wednesday, May 26, 2021

Shadowman #2 Review: Evil in the Desert

 

Shadowman #2 Cover by Jon Davis-Hunt


With Valiant's comics strictly limited to twenty pages, departing Senior Editor Heather Antos made excellent use of her inside front covers. On series like Savage, X-O Manowar, and Quantum & Woody, she used social media-style posts to bring readers up to speed, enabling us to begin reading each new issue without wondering: 

"Um, what was it that happened in last issue?"

In Shadowman #2, Heather gives us a full-page recap from the wily and colorful King of the Deadside: Baron Samedi. What better way to begin reading a horror comic?



On the first page, we meet a family. They seem quite ordinary. But little signs in their words and actions seem...wrong.

 


The father, driving along this lonely stretch of road, slows when he spots a hitchhiker. Perhaps he's motivated merely by compassion. Perhaps he feels the stories of violence and tragedy concerning hitchhikers are overblown.

Still, he's the protector of his family. He's miles from anyone and everything. And he seems unconcerned about the dangers the hitchhiker might present to his family.

 


He regards the hitchhiker as a novelty. 

Hm. Remind me. When did hitchhikers become an endangered species?



The children also seem unafraid. But how can the son have never heard about hiphikers? 

Sorry: hitchhikers.

 


Predictably, when the hitchhiker lives up to the worst stereotypes,

 


the mother reveals that her family is far from ordinary.

You know: the family that kills together...

 


 

Enoch: a ghost town in Arizona. Long abandoned.

The family is traveling there. The hitchhiker is traveling there. And now, so is Shadowman and his new best-frenemy Baron Samedi.

 


Immediately, Shadowman senses something in the town. Like the family traveling in the station wagon, the town seems familiar, but also alien.

He takes a step into the Deadside, to discover that demons inhabit the town that humans abandoned.

 


Enoch: a man who walked with God. A man who never died.

The Hebrew Bible (or Old Testament) records that he was taken directly to Heaven. Religious leaders attributed books to him, some of which can be found in the Apocrypha of a Catholic Bible. Scholars taught that he became the guardian of the celestial treasures, that he learned all mysteries, and became commander of God's angels.

Yet according to the medieval French Rabbi Shlomo Yitzchaki, better known by his acronym Rashi, God removed Enoch from the Earth to save this righteous man from returning to evil. 

 

 

Perhaps God should have removed the town of Enoch from our world too. For whatever evil it might have allowed once, the town now seems consumed by it.

As our protector, Shadowman cannot feel fear as ordinary humans do. Still, he can sense evil, and it disgusts him.

 


Shadowman must fight a battle in Enoch. There will be violence. There will be blood. Yet Shadowman #2 also asks: How much are we responsible for the evil in our world? 

Like the family who allowed the hitchhiker into their car, in what ways do we invite evil into our hearts, where unwatched and unguarded against, it may eventually thrive?

 


Shadowman #2 entertains with thoughtful plot and dialogue by Cullen Bunn. Amid the drama and the battle, penciler and inker Jon Davis-Hunt delivers a believable and immersive experience. The issue glows with beautiful coloring by Jordie Bellaire and the artistic lettering of Clayton Cowles. The creative team combine their talents into a  symphony of horror.


Shadowman #2 Cover B by Caspar Wijngaard

 

And then, there are the haunting and appealing covers. 

 

Shadowman #2 Cover C (Horror Cover) by Francesco Francavilla

 

All affordable, and most likely, obtainable.


Shadowman #2 Pre-Order Cover by Annie Wu

 

The Book of Enoch relates how evil came into our world, and how it made the Biblical flood necessary. Shadowman #2 reveals the devastation that evil can still wreak in our world when you allow it a foothold in your heart.

Protect thyself from evil. Read Shadowman #2.

Dragon Dave



Tuesday, May 25, 2021

Shadowman #2 Spotlight: Penciling & Inking

 

Shadowman #2 Pre-Order Cover by Annie Wu


While we're always interested in our hero Shadowman, one intriguing aspect of this new series is the way he is teaming up with Baron Samedi. Penciler and Inker Jon Davis-Hunt admits he found the venerable Baron a challenge to draw. How does one imbue personality into a skeleton? 

On the inside-front cover, Jon treats us to a close up of Baron Samedi. Notice all those rough edges, irregularities and details Jon builds into the grinning skull. See how his hair seems to be billowing, as if the Baron is dancing. And how about that point of light in an otherwise dark and empty eye socket. 

If you ask me, Baron Samedi is having the time of his afterlife. 

Oh, and in case you're hungering for more Shadowman on this page, notice him hovering behind and above the Baron. He's watching the Baron...and you.

 


 

Is Jon Davis-Hunt indulging in a little misdirection in this next panel? We see nothing of the hitchhiker save his hand and arm. Yet the jacket reminds us of Shadowman. 

The eagle-eyed viewer could point out that the man is wearing no hand-wrappings. But shorn of his Shadowman trappings, this could be our man Jack Boniface.



 

This seems like a perfectly domestic scene, doesn't it? Yet the back of the childrens' heads are inked out, while the fading sunlight shines on the parents' heads. Why does the girl's hair look so wild?




The slightly tilted panel above begets the even-more tilted panel below. The girl's hair looks even more bedraggled. Such film noir visual touches suggest that this family may not be as ordinary as they seem.  



Perhaps the heat has made the girl and the hitchhiker's longer hair look straggly. Perhaps they've both sweated a lot. Still, what does the way it falls around the hitchhiker's face in loose strands, rather than in sheets, say to you?



While the mother's hair seems unaffected by the heat, her expression changes when the hitchhiker draws a knife. Her lips widen into a sinister rictus, reminding us of villains such as The Joker. Lines appear that almost transform her face into a mask. 

Her eyes change. Pleasing ovals become angled and warped. One pupil rises higher than its companion.



The children transform too. Are we really seeing them anymore? Or are other beings taking control of this once-so-appealing family?



At last, we have stepped from film noir into full-blown horror. Have we also stepped from Shadowman into "The Exorcist"? Jon Davis-Hunt suggests that two distinct sets of personalities ride inside the station wagon.

Need I go on, and show how Jon Davis-Hunt builds personality into vehicles, buildings, and every person you will meet in Shadowman #2, regardless of their outward appearance?

Dragon Dave